From Potter's Field

She said, 'Davila was a good officer. He was so helpful, never complained, and his smile. He brightened a room.' Her voice was clenched in fury now. 'He was just a goddam kid.'

Her officers were around us but not too close, and as I looked down the tunnel and across the tracks, I thought of the subterranean acres of twists and turns of the subway system. The homeless had no flashlights, and I did not understand how they could see. We passed another squalid camp where a white man who looked vaguely familiar sat up smoking crack from a piece of car antenna as if there were no such thing as law and order in the land. When I noticed his baseball cap the meaning didn't register at first. Then I stared.

'Benny, Benny, Benny. Shame on you,' one of the officers impatiently said. 'Come on. You know you can't do this, man. How many times are we going to go through this, man?'

Benny had chased me into the medical examiner's office yesterday morning. I recognized his filthy army pants, cowboy boots and blue jean jacket.

'Then just go on and lock me up,' he said, lighting his rock again.

'Oh yeah, your ass is gonna be locked up, all right. I've had it with you.'

I quietly said to Commander Penn, 'His cap.'

It was a dark blue or black Atlanta Braves cap.

'Hold on,' she told her troops. She asked Benny, 'Where did you get your cap?'

'I don't know nothing,' he said, snatching it off a tuft of dirty gray hair. His nose looked as if something had chewed on it.

'Of course you do know,' the commander said.

He stared crazily at her.

'Benny, where did you get your cap?' she asked again.

Two officers lifted him up and cuffed him. Beneath a blanket were paperback books, magazines, butane lighters, small Ziploc bags. There were several energy bars, packages of sugarless gum, a tin whistle and a box of saxophone reeds. I looked at Commander Penn, and she met my eyes.

'Gather up everything,' she told her troops.

'You can't take my place.' Benny struggled against his captors. 'You can't take my motherfucking place.' He stomped his feet. 'You goddam son of a bitch…'

'You're just making this harder, Benny.' They tightened his cuffs, a cop on each arm.

'Don't touch anything without gloves,' Commander Penn ordered.

'Don't worry.'

They put Benny's worldly belongings in trash bags, which we carried out with their owner. I followed with my flashlight, the vast darkness a silent void that seemed to have eyes. Frequently, I turned back and saw nothing but a light I thought was a train, until it suddenly moved sideways. Then it became a flashlight illuminating a concrete arch Temple Gault was passing through. He was a sharp silhouette in a long dark coat, his face a white flash. I grabbed the commander's sleeve and screamed.

8

More than thirty police officers searched the Bowery and its subways throughout the overcast night. No one knew how Gault had gotten into the tunnels, unless he never left after murdering Jim Davila. We were clueless as to how he had gotten out after I spotted him, but he had.

The next morning, Wesley headed for La Guardia while Marino and I returned to the morgue. I did not encounter Dr. Jonas from the night before, nor was Dr. Horowitz in, but I was told Commander Penn was here with one of her detectives and we would find them in the X-ray room.

Marino and I slipped in with the silence of a couple arriving late for a movie, then we lost each other in the dark. I suspected he found a wall, since he had trouble with his balance in situations like this. It was easy to get almost mesmerized and begin to sway. I moved close to the steel table, where dark shapes surrounded Davila's body, a finger of light exploring his ruined head.

'I would like one of the casts for comparison,' someone was saying.

'We've got photos of the shoe prints. I've got some here.' I recognized Commander Penn's voice.

'That would be good.'

'The labs have the casts.'

'Yours?'

'No, not ours,' said Commander Penn. 'NYPD's.'

'This area of abrasion and patterned contusion right here is from the heel.' The light stopped below the left ear. 'The wavy lines are fairly clear and I see no trace embedded in the abrasion. There's also this pattern right here. I can't make it out. This contusion, uh, sort of a blotch with a little tail. I don't know what that is.'

'We can try image enhancement.'

'Right, right.'

'What about his ear itself? Any pattern?'

'It's hard to tell, but it's split versus cut. The jagged edges are nonabraded and connected by tissue bridges. And I would say based on this curved laceration right down here' — the latex-sheathed finger pointed — 'the heel smashed the ear.

And I would say based on this curved laceration right down here' — the latex-sheathed finger pointed — 'the heel smashed the ear.'

'That's why it's split.'

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